![]() In Audulus that responsibility falls on you. A lot of eurorack modules are calibrated like instruments, with the designers balancing each knob to ensure the largest sweet spot. I think Audulus is a very unrestricted environment. You have to be mindful of aliasing and filtering out some of the upper harmonic content, but I think you get really nice results isf you use your ears as well as your DSP cookbook. I have used it in all manner of ways like making LFOs, exploring phase modulation, making those saw-triangle-ramp oscillators like the Rossum-Electro Trident. This is actually my favorite oscillator node, because you can start to roll your own oscillators to taste. ![]() The "Phasor" is a 0-2π ramp wave that's there for people who want mathematical precision at the expense of aliasing. The nature of sound is obviously subjective, but I think they sound fine for when I want a bunch of oscillators. It has a toggle between the 4 basic wave forms and shape input that is pulse width for the pulse waveform and a supersaw type of modulation for the saw wave. In my estimation it sounds the same as a really clean analog oscillator like a Dixie II +. There are two oscillator nodes in Audulus, the "OSC" and the "Phasor" audio quality seems to come up a bit in Audulus discussions. in which case are they any different than Max? Is this mainly because the oscillators are just straightforward digital implementations.
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